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	<title>DramaDose &#187; What Others Say</title>
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	<description>...for theatre junkies</description>
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		<title>What Others Say: Artistic Unity, And How Not To Respond To Criticism</title>
		<link>http://www.dramadose.com/theatre-criticism/</link>
		<comments>http://www.dramadose.com/theatre-criticism/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:29:20 +0000</pubDate>
		<dc:creator>Shuchi</dc:creator>
				<category><![CDATA[Theatre Trivia]]></category>
		<category><![CDATA[What Others Say]]></category>
		<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Elisabeth Vincentelli]]></category>
		<category><![CDATA[Guardian Theatre Blog]]></category>
		<category><![CDATA[Leslie Jordan]]></category>

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		<description><![CDATA[How should an artist respond to a critic&#8217;s negative response to their work, especially if they think the critic has got it wrong? When dealing with brickbats, is it fair of an artist to expect other artists to rally behind in support, simply because they are of the same fraternity? The recent spat between actor-playwright [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Pleasing The Audience</title>
		<link>http://www.dramadose.com/pleasing-the-audience/</link>
		<comments>http://www.dramadose.com/pleasing-the-audience/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 04:12:44 +0000</pubDate>
		<dc:creator>Shuchi</dc:creator>
				<category><![CDATA[Theatre Trivia]]></category>
		<category><![CDATA[What Others Say]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[Evam]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Tahatto]]></category>

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		<description><![CDATA[In writing about Tahatto&#8217;s A Funny Thing Called Life, Sowmya made a remark that set me thinking of how a theatre troupe&#8217;s ability to connect with the audience can overshadow one&#8217;s actual opinion of their performance. After the play was over, members of the Tahatto troupe mixed with the audience, thanked them personally for coming [...]]]></description>
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		<title>What Others Say: Broken Images</title>
		<link>http://www.dramadose.com/news-broken-images/</link>
		<comments>http://www.dramadose.com/news-broken-images/#comments</comments>
		<pubDate>Sat, 12 Jun 2010 05:03:35 +0000</pubDate>
		<dc:creator>Shuchi</dc:creator>
				<category><![CDATA[Theatre Trivia]]></category>
		<category><![CDATA[What Others Say]]></category>
		<category><![CDATA[Girish Karnad]]></category>
		<category><![CDATA[Shabana Azmi]]></category>

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		<description><![CDATA[In an interview with Business Standard, Shabana Azmi makes a telling comment about the nature of characters in Broken Images. The best feedback I got for this role was that the audience can’t make up their minds who the victim is and who the victimiser. I am pleased with that because Girish (Karnad) has built [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Of Audience-Driven Plot Twists</title>
		<link>http://www.dramadose.com/audience-driven-plays/</link>
		<comments>http://www.dramadose.com/audience-driven-plays/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 09:45:49 +0000</pubDate>
		<dc:creator>Shuchi</dc:creator>
				<category><![CDATA[Theatre Trivia]]></category>
		<category><![CDATA[What Others Say]]></category>
		<category><![CDATA[Extempore]]></category>
		<category><![CDATA[Interactive]]></category>
		<category><![CDATA[Yours Truly Theatre]]></category>

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		<description><![CDATA[The Guardian theatre blog has a interesting piece on theatre that seeks to be &#34;different every night&#34; &#8230;there is a growing interest in theatre that embraces difference. Here, individual performances go further than being mere variations; not only is each a one-off event, but its status as such is made perceptible. You see the gaps [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What Others Say: Performing Shakespeare</title>
		<link>http://www.dramadose.com/performing-shakespeare/</link>
		<comments>http://www.dramadose.com/performing-shakespeare/#comments</comments>
		<pubDate>Mon, 31 May 2010 04:10:00 +0000</pubDate>
		<dc:creator>Shuchi</dc:creator>
				<category><![CDATA[Theatre Trivia]]></category>
		<category><![CDATA[What Others Say]]></category>
		<category><![CDATA[John Clancy]]></category>
		<category><![CDATA[Obie]]></category>
		<category><![CDATA[Shakespeare]]></category>

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		<description><![CDATA[I have never seen Shakespeare enacted on stage (well, not counting this spoof of Hamlet), but I&#8217;ve always wondered how tough it will be for present day actors to enact. For Indian actors even more so, who are not at their best with enunciation when the English gets too demanding. John Clancy, an Obie award [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What Others Say: Dreams Of Taleem</title>
		<link>http://www.dramadose.com/news-dreams-of-taleem/</link>
		<comments>http://www.dramadose.com/news-dreams-of-taleem/#comments</comments>
		<pubDate>Tue, 13 Apr 2010 04:30:00 +0000</pubDate>
		<dc:creator>Shuchi</dc:creator>
				<category><![CDATA[What Others Say]]></category>
		<category><![CDATA[Zero Theatre Company]]></category>

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		<description><![CDATA[Links to the best writings elsewhere on the net about Dreams of Taleem. This review posted on YahooGroups brings out an interesting subtext of the play – that of motherhood. …if you look at the play in another way &#8211; not about being gay (or not just that), but about being a mother. Ek Madhavbagh [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What Others Say: Hedda Gabler</title>
		<link>http://www.dramadose.com/what-others-say-hedda-gabler/</link>
		<comments>http://www.dramadose.com/what-others-say-hedda-gabler/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 03:36:59 +0000</pubDate>
		<dc:creator>Shuchi</dc:creator>
				<category><![CDATA[Just Theatre]]></category>
		<category><![CDATA[What Others Say]]></category>
		<category><![CDATA[Hedda Gabler]]></category>
		<category><![CDATA[Sheeba Chaddha]]></category>

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		<description><![CDATA[The Hindu praises the strong performances in Just Theatre’s production Hedda Gabler, but does not find much else to recommend. The use of adaptation is not so much about indianising a play as it is to allow for a different register. In that sense, with their period costumes and forced accents, the talented cast would [...]]]></description>
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