Review: Mullah Nasruddin 2.0

Mullah Nasruddin 2.0

When you hear of a children’s play titled Mullah Nasruddin, you imagine an enactment of stories featuring the mythical Mullah. Centuries-old, widely-circulated stories, familiar like old friends. You expect from the show some midly amusing folksy drama that would, if things go well, entertain you without surprising you.

Let the “2.0” in the title serve as warning. Ranga Shankara’s Mullah Nasruddin 2.0 is not that play.

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Review in Rhyme: Beastly Tales by Motley

Posted on Jul 4th, 2017 by Shuchi in Reviews, Comedy, English, Motley

Beastly Tales reading by Naseeruddin Shah, Ratna Pathak Shah, Heeba Shah and Kenny Desai

[Poems and stories of top grade
By James Thurber and Vikram Seth,
Read aloud by three Shahs, one Desai
At Jagriti. 2017, the first weekend of July.
With no fancy props of light or decor,
The text and voice engaged Bangalore.
A review – for better or worse –
Written in AABB verse.]

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Review: Oleanna [Jagriti, Bangalore]

Posted on Jun 19th, 2017 by Shuchi in Reviews, English, Jagriti

Oleanna Jagriti ProductionI walked in to watch Oleanna at Jagriti, Bangalore knowing little about the script – which was just as well. The surprise and slow-mounting tension of this play is probably more powerful without prior familiarity. [If you haven’t watched the play yet, I’d say watch and then return to read further.]

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Ramayana Ballet Prambanan, Yogyakarta

Posted on Jun 4th, 2016 by Shuchi in Reviews, Classical, Mythology, Other Languages

Prambanan Ramayana JogjaThe city of Yogyakarta (Indonesia) is home to Prambanan, one of the largest Hindu temple sites in Southeast Asia.

The star attraction of Prambanan is the Ramayana ballet, performed open-air* at night with the richly lit temples in its backdrop.

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Review: The Yogi and The Dancer

Posted on Jun 16th, 2014 by Shuchi in Reviews, Children's Plays, Comedy, English, Jagriti

The Yogi And The DancerThe 2000-year old Sanskrit farce Bhagavadajjukam, on which Jagriti Theatre’s The Yogi And The Dancer is based, is probably the oldest implementer of the Body Swap device (or, as they’d say in Sanskrit, Parakaya Pravesha). The Body Swap has been seen since then in various creative works – novels, movies, manga and more. Films like Freaky Friday or Dating The Enemy use the device for comic effect, not without some learning for the characters involved. Others like Jhuk Gaya Aasman or Down To Earth use it to take the tale through bizarre twists.

When the switcheroo is between a Yogi and a Dancer, the scripting possibilities are rich. Would there be a clash of moral standpoints, a gaining of new perspective? A lesson, perhaps, that the Dancer can live for greater purpose than pining gigglingly for her beloved, that the Yogi can do well to sometimes prioritize medication over meditation?

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Review: BaDe Miyan Deewane

Posted on Jun 14th, 2014 by Kishore in Reviews, Comedy, Hindi, Rangbaaz

RangBaaz BaDe Miyan DeewaneTennyson wrote ‘In the Spring a young man’s fancy lightly turns to thoughts of love’. What he did not mention is that some men think that it is eternally spring and that they are eternally young. And, of course, they have their own interpretation of what ‘love’ means. The title BaDe Miyan Deewane which means "old chap’s gone crazy" harks back to a popular song from the movie Shagird.

Meer Sahib is one of those ‘young men’, an octogenarian with a leg or two in his grave. He has been limping along in the journey of life with his body firmly supported by a couple of tawaifs Gulab and Heera. And suddenly, he takes a fancy to his neighbour’s young daughter Suraiya. He thinks it is time to move from the tawaif to a wife. The tawaifs are, of course, flabbergasted at losing a steady source of income. Having invested their past on Meer Sahib, they want a share in his future. Though mutual rivals, they decide to form a partnership in an attempt to thwart him from marrying Suraiya.

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